A Year with Rilke: Piously We Produce

December 19, 2011

Piously We Produce

The Church in Auvers-sur-Oise,

View from the Chevet

by Vincent van Gogh

Piously we produce our images of you
till they stand around you like a thousand walls.

And when our hearts would simply open,
our fervent hands hide you.

From The Book of Hours I, 4

1 comment:

ScottMon Dec 19, 03:07:00 PM GMT+1
I think I just had an "Aha!" moment that relates to the "Women Going Blind" post.
ReplyDelete
Replies

Add comment

"Everything is blooming most recklessly; if it were voices instead of colors, there would be an unbelievable shrieking into the heart of the night."

~ Rainer Maria Rilke

Go ahead, bloom recklessly!

About the Blog

We, Lorenzo and Ruth, are blog friends who, upon discovering our shared admiration for Rainer Maria Rilke's writings in a new volume of daily readings, decided to launch this blog.

Lorenzo (in Spain) has a home blog called The Alchemist's Pillow. Ruth (in the U.S.) has a home blog called synch-ro-ni-zing. Both of us also write poems and receive inspiration from Mary Oliver, Rumi, and many other poets.

We hope you will be inspired by this site, and we'd love to hear your responses in comments.

The Challenge of Translation

How can a poem written by Rilke, or anyone, be translated into another language, when a poem by its nature is a snapshot of a feeling, idea or story that also sings in lyricism, cadence, rhyme (sometimes) and other nuances that contribute to the poem intrinsically?

C. John Holcombe has thoroughly and generously explored the "problems" of translation in an article linked here, in which he explores the poem Herbsttag by Rilke. You can read fourteen versions of the first stanza by different translators, as well as a revelation of the issues of translation: word choice when there is no perfect equivalent; diction; word order (maintain the original or rearrange for effect?); rhyme; balance; and looking at the context of the poet's previous work.